Georgia’s Blog

SubCulture Debut, Monday, March 9th at 8pm


I’m doing a concert at SubCulture in NYC. It’s a different kind of concert than the ones I usually do, but SubCulture is a different kind of venue. Often when I speak to Marc Kaplan, who created the space with his brother Steven, his questions are about sound. “Were you happy with the sound? Didn’t the bass sound great? What do you need to make this the listening experience you want for your audience?”

This is a venue that encourages you to create music, and so as I was putting together this evening I thought about the music that would be best served by the space. What an amazing opportunity to revisit “Alphabet City Cycle,” the grouping of five songs I wrote for Kate Baldwin with lyricist Marcy Heisler and recorded in 2009. Along with violinist Victoria Paterson, the team is reunited and we’re performing the entire cycle for the first time in about a decade.

With the backbone of my program in place, I started thinking about how to make an entire evening of music that complemented this twenty-minute song cycle.  I decided to pull all of my art songs — the pieces that live more fluidly somewhere between the worlds of classical music and musical theater, as “Alphabet City Cycle” does — and see if there was enough material there to support an entire evening.  Turns out there’s more than enough material, and some of it hasn’t seen the light of day in ages, if ever.

I have two songs I wrote for Rebecca Luker. Literally. Two years ago, with Rebecca’s voice in my mind, I set two poems (texts by Christina Rossetti and Edna St. Vincent Millay) to music, and I printed them out and gave them to her. Surprise! Yesterday she sang them for me for the first time, and on March 9th she’s giving them their world premiere. Unbelievably to me, Becca came into the first rehearsal with the songs memorized, so the first time I heard them, they were in the voice I had imagined and they were accurate and shapely and full of musical nuance. At one point she said, “Oh, I’m sorry; I’ll fix that,” and I said, “Stop talking. My dreams are coming true.”

Also on the program will be performances by my good and long-time friends Bradley Dean and Andréa Burns.  Bradley is singing a Shakespeare sonnet, a setting of a Derek Walcott poem (from my second album) and “These Two,” the song I wrote for my wedding. And Andréa is singing “The Holy Secret” (from my first album) and “Palimpsest” as well as a very short and (hopefully) very funny collection of one-minute songs with lyrics by Faye Greenberg, Dorothy Parker and Alicia Partnoy. Joining me on their material will be Victoria Paterson on violin and also Mairi Dorman-Phaneuf on cello.

Finally, the last piece of the evening came to me in a flash of either bravery or insanity. I remembered that back in my college days I had set two poems to music and my friend Kevin Simmonds had premiered them on my senior recital. I dug them out of the archive and was pleased to learn that they hold up! I mean, they sound like a very very very early version of the composer I turned into, but they are not embarrassing. (How’s that for a review? “It wasn’t embarrassing.”) Kevin recently moved from California to New York City, and he will be joining me at SubCulture to sing these songs that I believe have only ever been heard before by the audience at Vanderbilt University, twenty-ahem years ago.

I hope I’ve convinced you to come. General admission is $40, and you can buy tickets here.  It’s a small venue (with a great bar!), so I encourage you to purchase in advance, or you may miss out on what is starting to feel like my very own musical episode of “This Is Your Life.”

See you there!

Read more about the concert at



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54 Below: January 24th at 9:30 pm

Join me for an evening of songs from my new show THE DANGER YEAR!

Saturday, January 24th at 9:30 pm
54 Below, NYC

“Presenting the show in concert form, composer/lyricist Georgia Stitt will be joined by Broadway powerhouse performers Kate BaldwinDerrick BaskinTa’Rea CampbellJeremy JordanCaitlin KinnunenZak ResnickElena ShaddowJessica VoskEJ Zimmerman. Also performing will be five fantastic students from Pace University: Will BellamyCody BoehmCourtney KofoedDavid Park, and Alina Stephenson. Directed by three-time Tony Award winner Jason Robert Brown, this score is being presented publicly in New York City for the first time after a successful West End debut last fall at London’s Garrick Theatre.  Stitt serves as pianist and music director for a band that includes Randy Landau on bass, Simon Kafka on guitar, Shannon Ford on drums, Mairi Dorman-Phaneuf on cello and Victoria Paterson on violin.

Information can be found here. Use the code STITT5 for $5 off cover charge in the main dining room.


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Interview with THE INTERVAL

I did an interview for new website “The Interval” and said a lot of things about music and theater and the work towards gender parity. I recommend following them on their website or on Twitter (@TheIntervalNY); they are asking really smart questions of women in the theater. Happy to be included!


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Behind the Broadway Scenes with Georgia Stitt and MusicNotes

I answered a few questions for one of my favorite websites, Enjoy!

Dressing in a nun’s habit while singing in Latin on national live television? All in a day’s work for the supremely talented conductor, vocalist and writer Georgia Stitt!

You may recognize Georgia from her role as a member of the nunnery in NBC’s ‘The Sound of Music Live!’ or as a vocal coach on ‘Grease: You’re the One that I Want!.’ You might also be a big fan (as we are) of her many acclaimed written works including ‘Alphabet City Cycle,‘ ‘Sing Me a Happy Song‘ and ‘My Lifelong Love.’

We asked the lovely Broadway songstress to share a bit about her writing process, why she fell in love with the theatre, her best tips for aspiring professional vocalists and the five ‘desert-island‘ songs she wouldn’t live without.

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